In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with Wil… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours. Digital Content>E-books>Art,Design & Photography>Artists>Artists, Parkstone International Digital >16<
BarnesandNoble.com
new in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
hive.co.uk
No. 9781780423197. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
hive.co.uk
No. 9781780423197. Versandkosten:Instock, Despatched same working day before 3pm, plus verzendkosten., zzgl. Versandkosten Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
hive.co.uk
No. 9781780423197. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
hive.co.uk
No. 9781780423197. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with Wil… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours. Digital Content>E-books>Art,Design & Photography>Artists>Artists, Parkstone International Digital >16<
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
No. 9781780423197. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
No. 9781780423197. Versandkosten:Instock, Despatched same working day before 3pm, plus verzendkosten., zzgl. Versandkosten
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
No. 9781780423197. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… Mehr…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
No. 9781780423197. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
1Da einige Plattformen keine Versandkonditionen übermitteln und diese vom Lieferland, dem Einkaufspreis, dem Gewicht und der Größe des Artikels, einer möglichen Mitgliedschaft der Plattform, einer direkten Lieferung durch die Plattform oder über einen Drittanbieter (Marketplace), etc. abhängig sein können, ist es möglich, dass die von eurobuch angegebenen Versandkosten nicht mit denen der anbietenden Plattform übereinstimmen.
Detailangaben zum Buch - O'Keeffe Janet Souter Author
EAN (ISBN-13): 9781780423197 ISBN (ISBN-10): 1780423195 Erscheinungsjahr: 2011 Herausgeber: Parkstone International Digital >16 256 Seiten Sprache: eng/Englisch
Buch in der Datenbank seit 2012-01-10T17:30:27+01:00 (Zurich) Detailseite zuletzt geändert am 2024-03-05T11:51:53+01:00 (Zurich) ISBN/EAN: 1780423195
ISBN - alternative Schreibweisen: 1-78042-319-5, 978-1-78042-319-7 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: gerry souter, janet souter, alfred stieglitz, keeffe stieglitz Titel des Buches: keeffe
Daten vom Verlag:
Autor/in: Gerry Souter Titel: Mega Square; O'Keeffe Verlag: Confidential Concepts International - Parkstone Erscheinungsjahr: 2011-07-01 Sprache: Englisch 5,95 € (DE) Not available (reason unspecified)
