1998, ISBN: 0809321874

[EAN: 9780809321872], Neubuch, [PU: Southern Illinois University Press, Carbondale], Paperback. When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt … Mehr…

[EAN: 9780809321872], Neubuch, [PU: Southern Illinois University Press, Carbondale], Paperback. When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that ""a television programme alters nothing"". But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that ""reality-based stories taken from topical journalism are the most popular drama genre on US and British television today"". This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual film-making process, the eight essays in the second part focus on how ""docudrama as a 'commodity' is created in the United States and England"". Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including ""Battleship Potemkin"", ""Roots"", ""Reds"", ""JFK"", ""Mississippi Burning"", ""Schindler's List"" and ""In the Name of the Father"". In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshtinsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D.J. Wenden, Sita Williams and Leslie Woodhead. When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a "television program alters nothing." But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that "reality-based stories taken from topical journalism are the most popular drama genre on U.S. and British television today." This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual filmmaking process, the eight essays in the second part focus on how "docudrama as a 'commodity' is created in the United States and England." Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including "Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler"'"s List," and "In the Name of the Father," In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDo Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability., Books<

1998, ISBN: 0809321874

[EAN: 9780809321872], Neubuch, [PU: Southern Illinois University Press, Carbondale], Paperback. When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt … Mehr…

[EAN: 9780809321872], Neubuch, [PU: Southern Illinois University Press, Carbondale], Paperback. When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that ""a television programme alters nothing"". But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that ""reality-based stories taken from topical journalism are the most popular drama genre on US and British television today"". This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual film-making process, the eight essays in the second part focus on how ""docudrama as a 'commodity' is created in the United States and England"". Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including ""Battleship Potemkin"", ""Roots"", ""Reds"", ""JFK"", ""Mississippi Burning"", ""Schindler's List"" and ""In the Name of the Father"". In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshtinsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D.J. Wenden, Sita Williams and Leslie Woodhead. When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a "television program alters nothing." But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that "reality-based stories taken from topical journalism are the most popular drama genre on U.S. and British television today." This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual filmmaking process, the eight essays in the second part focus on how "docudrama as a 'commodity' is created in the United States and England." Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including "Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler"'"s List," and "In the Name of the Father," In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDo Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability., Books<

1998, ISBN: 0809321874

[EAN: 9780809321872], Neubuch, [PU: Southern Illinois University Press, Carbondale], Paperback. When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt … Mehr…

[EAN: 9780809321872], Neubuch, [PU: Southern Illinois University Press, Carbondale], Paperback. When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that ""a television programme alters nothing"". But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that ""reality-based stories taken from topical journalism are the most popular drama genre on US and British television today"". This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual film-making process, the eight essays in the second part focus on how ""docudrama as a 'commodity' is created in the United States and England"". Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including ""Battleship Potemkin"", ""Roots"", ""Reds"", ""JFK"", ""Mississippi Burning"", ""Schindler's List"" and ""In the Name of the Father"". In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshtinsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D.J. Wenden, Sita Williams and Leslie Woodhead. When the 1990 English docudrama Who Bombed Birmingham? cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a "television program alters nothing." But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that "reality-based stories taken from topical journalism are the most popular drama genre on U.S. and British television today." This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual filmmaking process, the eight essays in the second part focus on how "docudrama as a 'commodity' is created in the United States and England." Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including "Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler"'"s List," and "In the Name of the Father," In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Shipping may be from multiple locations in the US or from the UK, depending on stock availability., Books<

ISBN: 9780809321872

Autor: Alan Rosentahl. Contributor: Alan Rosentahl (Edited by). But, as Alan Rosenthal concludes, Thatcher was wrong. In investigating the actual film-making process, the eight essays in … Mehr…

Autor: Alan Rosentahl. Contributor: Alan Rosentahl (Edited by). But, as Alan Rosenthal concludes, Thatcher was wrong. In investigating the actual film-making process, the eight essays in the second part focus on how ""docudrama as a 'commodity' is created in the United States and England"". Weitere detailsTitel: Why Docudrama?Zustand: NeuSubtitle: Fact-fiction on Film and TVAutor: Alan RosentahlContributor: Alan Rosentahl (Edited by)Produktart: TaschenbuchEAN: 9780809321872ISBN: 9780809321872Verlag: Southern Illinois University PressGenre: Film & TVThematik: Society & CultureRelease date: 30/03/1999Description: When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that ""a television programme alters nothing"". But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that ""reality-based stories taken from topical journalism are the most popular drama genre on US and British television today"". This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual film-making process, the eight essays in the second part focus on how ""docudrama as a 'commodity' is created in the United States and England"". Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including ""Battleship Potemkin"", ""Roots"", ""Reds"", ""JFK"", ""Mississippi Burning"", ""Schindler's List"" and ""In the Name of the Father"". In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshtinsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D.J. Wenden, Sita Williams and Leslie Woodhead.Anzahl der Seiten: 480Herstellungsland und -region: USGewicht: 565gTitle Format: BCSprache: Englisch Information fehlt?Bitte kontaktieren Sie uns, wenn Details fehlen und wir werden diese solange möglich zu unserer Beschreibung hinzufügen., Festpreisangebot, [LT: FixedPrice], Buchtitel: Why Docudrama?, Subtitle: Fact-fiction on Film and TV, Produktart: Taschenbuch, EAN: 9780809321872, Genre: Film & TV, Thematik: Society & Culture, Release date: 30/03/1999, Anzahl der Seiten: 480, Herstellungsland und -region: US, Gewicht: 565g, Sprache: Englisch, Southern Illinois University Press<

1999, ISBN: 9780809321872

Fact-fiction on Film and TV, Buch, Softcover, When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt of six men convicted of bombing two British pubs i… Mehr…

Fact-fiction on Film and TV, Buch, Softcover, When the 1990 English docudrama ""Who Bombed Birmingham?"" cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that ""a television programme alters nothing"". But, as Alan Rosenthal concludes, Thatcher was wrong. The film engendered a new inquiry that led to the release of the convicted men. Rosenthal notes that docudrama wields more influence than the average documentary and that ""reality-based stories taken from topical journalism are the most popular drama genre on US and British television today"". This three-part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses. Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film; they also consider the place of truth in docudrama, the main critiques of the form, and the audience's susceptibilities and expectations. In investigating the actual film-making process, the eight essays in the second part focus on how ""docudrama as a 'commodity' is created in the United States and England"". Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. The final part presents an in-depth critique of a number of controversial docudramas that have helped form and shape public opinion, including ""Battleship Potemkin"", ""Roots"", ""Reds"", ""JFK"", ""Mississippi Burning"", ""Schindler's List"" and ""In the Name of the Father"". In addition to Rosenthal, the contributors are John Corner, George F. Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W. Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshtinsky, Ian McBride, Richard Alan Nelson, Conor Cruise O'Brien, Derek Paget, Robert A. Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D.J. Wenden, Sita Williams and Leslie Woodhead. [PU: Southern Illinois University Press], Seiten: 480, Southern Illinois University Press, 1999<