The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
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The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
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The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
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No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
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Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "… Mehr…
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Houghton Mifflin Harcourt<
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No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten. Details...
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The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres.In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts.The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Cambridge University Press<
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "… Mehr…
Newark studies the development of a key device in French fiction of the nineteenth century: the soiree a l'Opera.; EPUB; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Opera, Houghton Mifflin Harcourt<
No. 9780511985393. Versandkosten:Instock, Despatched same working day before 3pm, zzgl. Versandkosten.
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Detailangaben zum Buch - Opera in the Novel from Balzac to Proust
EAN (ISBN-13): 9780511985393 Erscheinungsjahr: 2011 Herausgeber: Cambridge University Press
Buch in der Datenbank seit 2008-07-12T01:18:39+02:00 (Zurich) Detailseite zuletzt geändert am 2024-01-07T16:36:03+01:00 (Zurich) ISBN/EAN: 9780511985393
ISBN - alternative Schreibweisen: 978-0-511-98539-3 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: corma, cormac, proust, lorrie moore, houghton mifflin harcourt Titel des Buches: balzac, proust, opera opera
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