1921, ISBN: 4cc122e9148806ed151c9f96e4a7f404

[SC: 35.29], [PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed… Mehr…

[SC: 35.29], [PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed boards, the spine cloth a bit fragile, the cover and foredges lightly worn or darkened. The cover title is more expansive than the title-page: Die Blechschmiede: Pandivinium, Pandaemonium und Panmysterium. - Holz, whose social criticism and technical innovations made him a revolutionary figure in the 1890s, and who is credited with preparing the ground for Döblin, was history by the 1920s. In her comments in 1922 Babette Deutsch draws an arc between Holz and the expressionists: Ehrenstein, Klemm, Heym, Werfel, but the vitality lies with the latter group: "In Phantasus he strives to give us, in a miscellany of fragments, the many and various avatars of his wandering psyche. The scale of this work appears to be congenial to Holz, for it was followed by another huge extravaganza, Blechschmiede, purposing to synthetize the whole modern world as Phantasus purposes to synthetize the poet's entire consciousness." - But from the less engaged standpoint of the mid-1960s Erich Funke judged the Blechschmiede, in the version of the Holz Werkausgabe to be his "satirical masterpiece" ("vielstimmigen, satirischen Meisterwerk"). "Da gibt er dem selbstherrlichen zweiten Wilhelm eins auf die Krone, Dehmel und "Stefan der George" und andere "Dichterkollegen" werden köstlich persifliert, und selbst der "Prachtgreis" der deutschen Klassik mit seinem Reinike Fuchs, dem "gräßlichen hexametrischen Jux," wird nicht geschont. Auch die Kritiker seiner Zeit müssens über sich ergehen lassen, und derbste Erotik läßt den verständigen Leser schmunzeln und gibt dem Zensor drei Gänsehäute.".<

1921, ISBN: 4cc122e9148806ed151c9f96e4a7f404

[SC: 35.32], [PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed… Mehr…

[SC: 35.32], [PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed boards, the spine cloth a bit fragile, the cover and foredges lightly worn or darkened. The cover title is more expansive than the title-page: Die Blechschmiede: Pandivinium, Pandaemonium und Panmysterium. - Holz, whose social criticism and technical innovations made him a revolutionary figure in the 1890s, and who is credited with preparing the ground for Döblin, was history by the 1920s. In her comments in 1922 Babette Deutsch draws an arc between Holz and the expressionists: Ehrenstein, Klemm, Heym, Werfel, but the vitality lies with the latter group: "In Phantasus he strives to give us, in a miscellany of fragments, the many and various avatars of his wandering psyche. The scale of this work appears to be congenial to Holz, for it was followed by another huge extravaganza, Blechschmiede, purposing to synthetize the whole modern world as Phantasus purposes to synthetize the poet's entire consciousness." - But from the less engaged standpoint of the mid-1960s Erich Funke judged the Blechschmiede, in the version of the Holz Werkausgabe to be his "satirical masterpiece" ("vielstimmigen, satirischen Meisterwerk"). "Da gibt er dem selbstherrlichen zweiten Wilhelm eins auf die Krone, Dehmel und "Stefan der George" und andere "Dichterkollegen" werden köstlich persifliert, und selbst der "Prachtgreis" der deutschen Klassik mit seinem Reinike Fuchs, dem "gräßlichen hexametrischen Jux," wird nicht geschont. Auch die Kritiker seiner Zeit müssens über sich ergehen lassen, und derbste Erotik läßt den verständigen Leser schmunzeln und gibt dem Zensor drei Gänsehäute.".<

1921, ISBN: 4cc122e9148806ed151c9f96e4a7f404

[SC: 42.59], [PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed… Mehr…

[SC: 42.59], [PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed boards, the spine cloth a bit fragile, the cover and foredges lightly worn or darkened. The cover title is more expansive than the title-page: Die Blechschmiede: Pandivinium, Pandaemonium und Panmysterium. - Holz, whose social criticism and technical innovations made him a revolutionary figure in the 1890s, and who is credited with preparing the ground for Döblin, was history by the 1920s. In her comments in 1922 Babette Deutsch draws an arc between Holz and the expressionists: Ehrenstein, Klemm, Heym, Werfel, but the vitality lies with the latter group: "In Phantasus he strives to give us, in a miscellany of fragments, the many and various avatars of his wandering psyche. The scale of this work appears to be congenial to Holz, for it was followed by another huge extravaganza, Blechschmiede, purposing to synthetize the whole modern world as Phantasus purposes to synthetize the poet's entire consciousness." - But from the less engaged standpoint of the mid-1960s Erich Funke judged the Blechschmiede, in the version of the Holz Werkausgabe to be his "satirical masterpiece" ("vielstimmigen, satirischen Meisterwerk"). "Da gibt er dem selbstherrlichen zweiten Wilhelm eins auf die Krone, Dehmel und "Stefan der George" und andere "Dichterkollegen" werden köstlich persifliert, und selbst der "Prachtgreis" der deutschen Klassik mit seinem Reinike Fuchs, dem "gräßlichen hexametrischen Jux," wird nicht geschont. Auch die Kritiker seiner Zeit müssens über sich ergehen lassen, und derbste Erotik läßt den verständigen Leser schmunzeln und gibt dem Zensor drei Gänsehäute.".<

1921, ISBN: 4cc122e9148806ed151c9f96e4a7f404

[SC: 69.76], [PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed… Mehr…

[SC: 69.76], [PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed boards, the spine cloth a bit fragile, the cover and foredges lightly worn or darkened. The cover title is more expansive than the title-page: Die Blechschmiede: Pandivinium, Pandaemonium und Panmysterium. - Holz, whose social criticism and technical innovations made him a revolutionary figure in the 1890s, and who is credited with preparing the ground for Döblin, was history by the 1920s. In her comments in 1922 Babette Deutsch draws an arc between Holz and the expressionists: Ehrenstein, Klemm, Heym, Werfel, but the vitality lies with the latter group: "In Phantasus he strives to give us, in a miscellany of fragments, the many and various avatars of his wandering psyche. The scale of this work appears to be congenial to Holz, for it was followed by another huge extravaganza, Blechschmiede, purposing to synthetize the whole modern world as Phantasus purposes to synthetize the poet's entire consciousness." - But from the less engaged standpoint of the mid-1960s Erich Funke judged the Blechschmiede, in the version of the Holz Werkausgabe to be his "satirical masterpiece" ("vielstimmigen, satirischen Meisterwerk"). "Da gibt er dem selbstherrlichen zweiten Wilhelm eins auf die Krone, Dehmel und "Stefan der George" und andere "Dichterkollegen" werden köstlich persifliert, und selbst der "Prachtgreis" der deutschen Klassik mit seinem Reinike Fuchs, dem "gräßlichen hexametrischen Jux," wird nicht geschont. Auch die Kritiker seiner Zeit müssens über sich ergehen lassen, und derbste Erotik läßt den verständigen Leser schmunzeln und gibt dem Zensor drei Gänsehäute.".<

1921, ISBN: 4cc122e9148806ed151c9f96e4a7f404

[PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed boards, the … Mehr…

[PU: Dresden, Sibyllen-Verlag, 1921], , Holz, Arno, 1863-1929. Die Blechschmiede. Dresden, Sibyllen-Verlag, 1921, xxviii, 515pp., very good large black 1/4 cloth with printed boards, the spine cloth a bit fragile, the cover and foredges lightly worn or darkened. The cover title is more expansive than the title-page: Die Blechschmiede: Pandivinium, Pandaemonium und Panmysterium. - Holz, whose social criticism and technical innovations made him a revolutionary figure in the 1890s, and who is credited with preparing the ground for Döblin, was history by the 1920s. In her comments in 1922 Babette Deutsch draws an arc between Holz and the expressionists: Ehrenstein, Klemm, Heym, Werfel, but the vitality lies with the latter group: "In Phantasus he strives to give us, in a miscellany of fragments, the many and various avatars of his wandering psyche. The scale of this work appears to be congenial to Holz, for it was followed by another huge extravaganza, Blechschmiede, purposing to synthetize the whole modern world as Phantasus purposes to synthetize the poet's entire consciousness." - But from the less engaged standpoint of the mid-1960s Erich Funke judged the Blechschmiede, in the version of the Holz Werkausgabe to be his "satirical masterpiece" ("vielstimmigen, satirischen Meisterwerk"). "Da gibt er dem selbstherrlichen zweiten Wilhelm eins auf die Krone, Dehmel und "Stefan der George" und andere "Dichterkollegen" werden köstlich persifliert, und selbst der "Prachtgreis" der deutschen Klassik mit seinem Reinike Fuchs, dem "gräßlichen hexametrischen Jux," wird nicht geschont. Auch die Kritiker seiner Zeit müssens über sich ergehen lassen, und derbste Erotik läßt den verständigen Leser schmunzeln und gibt dem Zensor drei Gänsehäute.".<