[EAN: 9783825356545], Neubuch, [SC: 0.0], [PU: Universitätsverlag Winter], ANGLISTIK / LITERATURWISSENSCHAFT, Neu - Ian McEwan's work is paradigmatic for the intricate relationship betwee… Mehr…
[EAN: 9783825356545], Neubuch, [SC: 0.0], [PU: Universitätsverlag Winter], ANGLISTIK / LITERATURWISSENSCHAFT, Neu - Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after The Comfort of Strangers (1981). The years between McEwan's Venetian novel and The Child in Time (1987) was a period of gestation: he wrote the libretto Or Shall We Die (1983) and the script for The Ploughman's Lunch (1985) taking up nuclear disarmament and Thatcherism. McEwan saw these works as A Move Abroad (1989) and returned to the novel with the caustically political The Child in Time . All his later novels have strong political undertones most drastically visualized in The Innocent (1990): Otto s mutilated corpse as an image of Berlin. In Saturday (2005), the mass rally against the Iraq War in 2003 is the background against which the Perowne s Bloomsday takes place. Similarly, in Black Dogs (1992) or Amsterdam (1998) politics are shown in their complex relationship to art which is also celebrated in The Atonement (2001). 214 pp. Deutsch, Books<
Paperback, [PU: Universitatsverlag Winter], Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more co… Mehr…
Paperback, [PU: Universitatsverlag Winter], Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after 'The Comfort of Strangers' (1981). The years between McEwan's Venetian novel and 'The Child in Time' (1987) was a period of gestation: he wrote the libretto 'Or Shall We Die?' (1983) and the script for 'The Ploughman's Lunch' (1985) taking up nuclear disarmament and Thatcherism. McEwan saw these works as 'A Move Abroad' (1989) and returned to the novel with the caustically political 'The Child in Time'. All his later novels have strong political undertones most drastically visualized in 'The Innocent' (1990): Otto's mutilated corpse as an image of Berlin. In 'Saturday' (2005), the mass rally against the Iraq War in 2003 is the background against which the Perowne's Bloomsday takes place. Similarly, in 'Black Dogs' (1992) or 'Amsterdam' (1998) politics are shown in their complex relationship to art which is also celebrated in 'The Atonement' (2001)., Literature: History & Criticism, Literary Studies: General<
Paperback, [PU: Universitatsverlag Winter], Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more co… Mehr…
Paperback, [PU: Universitatsverlag Winter], Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after 'The Comfort of Strangers' (1981). The years between McEwan's Venetian novel and 'The Child in Time' (1987) was a period of gestation: he wrote the libretto 'Or Shall We Die?' (1983) and the script for 'The Ploughman's Lunch' (1985) taking up nuclear disarmament and Thatcherism. McEwan saw these works as 'A Move Abroad' (1989) and returned to the novel with the caustically political 'The Child in Time'. All his later novels have strong political undertones most drastically visualized in 'The Innocent' (1990): Otto's mutilated corpse as an image of Berlin. In 'Saturday' (2005), the mass rally against the Iraq War in 2003 is the background against which the Perowne's Bloomsday takes place. Similarly, in 'Black Dogs' (1992) or 'Amsterdam' (1998) politics are shown in their complex relationship to art which is also celebrated in 'The Atonement' (2001)., Literary Studies: General<
[EAN: 9783825356545], [PU: Universitatsverlag Winter], Edited by Pascal Nicklas. Twelve essays analyze McEwan's work as a paradigmatic example for the intricate relationship between art a… Mehr…
[EAN: 9783825356545], [PU: Universitatsverlag Winter], Edited by Pascal Nicklas. Twelve essays analyze McEwan's work as a paradigmatic example for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after "The Comfort of Strangers" (1981). 212 Seiten, broschiert (anglistik & englischunterricht; Band 73/Universitätsverlag Winter 2009). Früher EUR 24,00 262 g. Sprache: en, Books<
[EAN: 9783825356545], Neubuch, [SC: 0.0], [PU: Universitätsverlag Winter], ANGLISTIK / LITERATURWISSENSCHAFT, Neu - Ian McEwan's work is paradigmatic for the intricate relationship betwee… Mehr…
[EAN: 9783825356545], Neubuch, [SC: 0.0], [PU: Universitätsverlag Winter], ANGLISTIK / LITERATURWISSENSCHAFT, Neu - Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after The Comfort of Strangers (1981). The years between McEwan's Venetian novel and The Child in Time (1987) was a period of gestation: he wrote the libretto Or Shall We Die (1983) and the script for The Ploughman's Lunch (1985) taking up nuclear disarmament and Thatcherism. McEwan saw these works as A Move Abroad (1989) and returned to the novel with the caustically political The Child in Time . All his later novels have strong political undertones most drastically visualized in The Innocent (1990): Otto s mutilated corpse as an image of Berlin. In Saturday (2005), the mass rally against the Iraq War in 2003 is the background against which the Perowne s Bloomsday takes place. Similarly, in Black Dogs (1992) or Amsterdam (1998) politics are shown in their complex relationship to art which is also celebrated in The Atonement (2001). 214 pp. Deutsch, Books<
Paperback, [PU: Universitatsverlag Winter], Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more co… Mehr…
Paperback, [PU: Universitatsverlag Winter], Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after 'The Comfort of Strangers' (1981). The years between McEwan's Venetian novel and 'The Child in Time' (1987) was a period of gestation: he wrote the libretto 'Or Shall We Die?' (1983) and the script for 'The Ploughman's Lunch' (1985) taking up nuclear disarmament and Thatcherism. McEwan saw these works as 'A Move Abroad' (1989) and returned to the novel with the caustically political 'The Child in Time'. All his later novels have strong political undertones most drastically visualized in 'The Innocent' (1990): Otto's mutilated corpse as an image of Berlin. In 'Saturday' (2005), the mass rally against the Iraq War in 2003 is the background against which the Perowne's Bloomsday takes place. Similarly, in 'Black Dogs' (1992) or 'Amsterdam' (1998) politics are shown in their complex relationship to art which is also celebrated in 'The Atonement' (2001)., Literature: History & Criticism, Literary Studies: General<
Paperback, [PU: Universitatsverlag Winter], Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more co… Mehr…
Paperback, [PU: Universitatsverlag Winter], Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after 'The Comfort of Strangers' (1981). The years between McEwan's Venetian novel and 'The Child in Time' (1987) was a period of gestation: he wrote the libretto 'Or Shall We Die?' (1983) and the script for 'The Ploughman's Lunch' (1985) taking up nuclear disarmament and Thatcherism. McEwan saw these works as 'A Move Abroad' (1989) and returned to the novel with the caustically political 'The Child in Time'. All his later novels have strong political undertones most drastically visualized in 'The Innocent' (1990): Otto's mutilated corpse as an image of Berlin. In 'Saturday' (2005), the mass rally against the Iraq War in 2003 is the background against which the Perowne's Bloomsday takes place. Similarly, in 'Black Dogs' (1992) or 'Amsterdam' (1998) politics are shown in their complex relationship to art which is also celebrated in 'The Atonement' (2001)., Literary Studies: General<
[EAN: 9783825356545], [PU: Universitatsverlag Winter], Edited by Pascal Nicklas. Twelve essays analyze McEwan's work as a paradigmatic example for the intricate relationship between art a… Mehr…
[EAN: 9783825356545], [PU: Universitatsverlag Winter], Edited by Pascal Nicklas. Twelve essays analyze McEwan's work as a paradigmatic example for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after "The Comfort of Strangers" (1981). 212 Seiten, broschiert (anglistik & englischunterricht; Band 73/Universitätsverlag Winter 2009). Früher EUR 24,00 262 g. Sprache: en, Books<
1Da einige Plattformen keine Versandkonditionen übermitteln und diese vom Lieferland, dem Einkaufspreis, dem Gewicht und der Größe des Artikels, einer möglichen Mitgliedschaft der Plattform, einer direkten Lieferung durch die Plattform oder über einen Drittanbieter (Marketplace), etc. abhängig sein können, ist es möglich, dass die von eurobuch angegebenen Versandkosten nicht mit denen der anbietenden Plattform übereinstimmen.
Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after 'The Comfort of Strangers' (1981). The years between McEwan's Venetian novel and 'The Child in Time' (1987) was a period of gestation: he wrote the libretto 'Or Shall We Die?' (1983) and the script for 'The Ploughman's Lunch' (1985) taking up nuclear disarmament and Thatcherism. McEwan saw these works as 'A Move Abroad' (1989) and returned to the novel with the caustically political 'The Child in Time'. All his later novels have strong political undertones most drastically visualized in 'The Innocent' (1990): Otto's mutilated corpse as an image of Berlin. In 'Saturday' (2005), the mass rally against the Iraq War in 2003 is the background against which the Perowne's Bloomsday takes place. Similarly, in 'Black Dogs' (1992) or 'Amsterdam' (1998) politics are shown in their complex relationship to art which is also celebrated in 'The Atonement' (2001).
Detailangaben zum Buch - Ian McEwan: Art and Politics
Buch in der Datenbank seit 2007-08-01T15:51:43+02:00 (Zurich) Detailseite zuletzt geändert am 2024-01-02T17:20:14+01:00 (Zurich) ISBN/EAN: 382535654X
ISBN - alternative Schreibweisen: 3-8253-5654-X, 978-3-8253-5654-5 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: linke, tönnies, toennies, pascal, ian black, mcewan, rossow, nicklas Titel des Buches: anglistik englischunterricht, art and politics now, ian mcewan, arts and politics
Daten vom Verlag:
Autor/in: Pascal Nicklas Titel: anglistik & englischunterricht; Ian McEwan: Art and Politics Verlag: Universitätsverlag Winter GmbH Heidelberg 213 Seiten Erscheinungsjahr: 2009-12-04 DE Gedruckt / Hergestellt in Deutschland. Gewicht: 0,262 kg Sprache: Englisch 24,00 € (DE) 24,70 € (AT) Not available, publisher indicates OP
BC; KART; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft; Literaturwissenschaft, allgemein; British fiction; Moral; McEwan, Ian; Ethik; Literatur und Politik; Politik und Literatur
Weitere, andere Bücher, die diesem Buch sehr ähnlich sein könnten:
