Polish Avant-Garde in Berlin - neues Buch

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ISBN/EAN: 9783631814154

ISBN - alternative Schreibweisen:
978-3-631-81415-4
Alternative Schreibweisen und verwandte Suchbegriffe:
Titel des Buches: avant garde, berlin

Daten vom Verlag:

Autor/in: Malgorzata Stolarska-Fronia
Titel: Polish Avant-Garde in Berlin
Verlag: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
290 Seiten
Erscheinungsjahr: 2020-02-10
Frankfurt a.M. DE
Gedruckt / Hergestellt in Deutschland.
Sprache: Englisch
58,91 € (DE)
61,71 € (AT)
70,00 CHF (CH)
Not available (reason unspecified)

EA; E107; Nonbooks, PBS / Kunst; Kunstgeschichte; Auseinandersetzen; ART / General; ART / History / General; ART / European; ART / History / Contemporary (1945-); SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Emigration & Immigration; SOCIAL SCIENCE / Women's Studies; SOCIAL SCIENCE / Gender Studies; Theory of art; History of art & design styles: from c 1900 - Cultural studies; Gender studies, gender groups; Ethnic minorities & multicultural studies; Berlin; Berlin boheme; Fronia; Garde; Gender in Polish art; Migrant art; Polish; Polish art in Berlin; Polish Neo avant-garde; Stolarska; Kunsttheorie; Kulturwissenschaften; Verstehen; EA; EA; BB

, PhD, is an art historian, curator and academic teacher. Her research interests include European avant-garde as a transcultural and transnational phenomenon. She initiated and organized several international conferences and published many articles devoted mainly to the art in Jewish culture.

This book presents a historical panorama of the Polish avant-garde in Berlin from 19th century historical avant-garde until the recent art. Looking at specific artistic strategies and development of modernist paradigm both in the pre- and post-Second World War period from the perspective of the migration experience, this book offers a deep insight into mechanisms, relations and identity programmes of particular artists or groups. It also reveals the dynamics of eventual cultural exchange or alternative forms of artistic transformation and message that Polish artists imprinted in the Berlin’s art scene. Whether historical avant-garde or the neo-avant-garde, the component of novelty inscribed in the term itself ceases to be a sheer, one-dimensional slogan and reveals a whole range of cultural projections that artist-migrants are both creators and the subject of. Here the notion of exoticism, wilderness, but also critical and ironical approach often constitute the perception of Polish art in the Berlin milieu.

The book offers a deep insight into specific artistic strategies and development of modernist paradigm in the art of Polish avant-garde artists in Berlin both in the pre- and post-Second World War period, from the perspective of the migration experience, as well as relations and identity programmes of particular artists or groups.

Polish avant-garde artists in Berlin – Modernist paradigm in the art – Pre- and post- Second World War period – Migration experience – Relations and identity programmes of artists and groups – Berlin boheme – Gender in Polish art