2011, ISBN: 3931355675

Taschenbuch

[EAN: 9783931355678], Gebraucht, guter Zustand, [SC: 8.0], [PU: Walther Konig Verlag / Contemporary Fine Arts Galerie], ART, CONTEMPORARY KUNST, GEGENWARTSKUNST,, 22 Seiten/Pages - Katja … Mehr…

[EAN: 9783931355678], Gebraucht, guter Zustand, [SC: 8.0], [PU: Walther Konig Verlag / Contemporary Fine Arts Galerie], ART, CONTEMPORARY KUNST, GEGENWARTSKUNST,, 22 Seiten/Pages - Katja Strunz’s installations, sculptures, and works on paper grasp and reflect temporal and spatial resonances and historical references, and thus create a kind of “after-effect” with echoes of the past in the present. This fact becomes clear, for example, in the installation Einladung zur Angst [Invitation to Fear], which through its formal proximity to sound objects seems to literally acoustically resonate and recall music that sounded long ago. Other found objects also speak of the past. The installation Untitled (1999-2010) shows an iron flower tendril hanging down, an objet trouvé Katja Strunz found in a cemetery among the decorative remnants of graves that had already been cleared. The wooden triangular construction with which she combines this points to a further artistic appropriation, namely Robert Smithson’s oeuvre, to which she already started referring when she was still at art school. However, Katja Strunz forgoes the mirroring exterior with its promise of infinity so often found in Smithon’s work, and inhibits the reflection of the surface., Books<

2011, ISBN: 3931355675

Taschenbuch

[EAN: 9783931355678], Gebraucht, guter Zustand, [PU: Walther Konig Verlag / Contemporary Fine Arts Galerie], ART, CONTEMPORARY KUNST, GEGENWARTSKUNST,, 22 Seiten/Pages - Katja Strunz’s in… Mehr…

[EAN: 9783931355678], Gebraucht, guter Zustand, [PU: Walther Konig Verlag / Contemporary Fine Arts Galerie], ART, CONTEMPORARY KUNST, GEGENWARTSKUNST,, 22 Seiten/Pages - Katja Strunz’s installations, sculptures, and works on paper grasp and reflect temporal and spatial resonances and historical references, and thus create a kind of “after-effect” with echoes of the past in the present. This fact becomes clear, for example, in the installation Einladung zur Angst [Invitation to Fear], which through its formal proximity to sound objects seems to literally acoustically resonate and recall music that sounded long ago. Other found objects also speak of the past. The installation Untitled (1999-2010) shows an iron flower tendril hanging down, an objet trouvé Katja Strunz found in a cemetery among the decorative remnants of graves that had already been cleared. The wooden triangular construction with which she combines this points to a further artistic appropriation, namely Robert Smithson’s oeuvre, to which she already started referring when she was still at art school. However, Katja Strunz forgoes the mirroring exterior with its promise of infinity so often found in Smithon’s work, and inhibits the reflection of the surface., Books<

2011, ISBN: 9783931355678

paperback, Access codes and supplements are not guaranteed with used items. May be an ex-library book., Gebraucht, guter Zustand, [PU: Walther Konig, Cologne]

ISBN: 9783931355678

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book., 2.5