ISBN: 9781783103881

“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, c… Mehr…

“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: “I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.” In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting. Digital Content>E-books>Art,Design & Photography>Art>Surveys, Parkstone International Digital >16<

ISBN: 9781783103881

"I paint what I see and not what it pleases others to see." What other words than these of Edouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define … Mehr…

"I paint what I see and not what it pleases others to see." What other words than these of Edouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.; EPUB; Art & Photography > History of art / art & design styles > History of art & design styles: c 1800 to, Confidential Concepts<

ISBN: 9781783103881

“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define … Mehr…

“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the Impressionist movement? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: “I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.” In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting. E-Book, Parkstone International<

ISBN: 9781783103881

Parkstone International History of Modern Art Kunst;Impressionism;Impressionist;Monet;Malerei;Licht;Öl Malerei;Aquarell, Art;Impressionism;Impressionist;Monet;Painting;Light;Oil painting;… Mehr…

Parkstone International History of Modern Art Kunst;Impressionism;Impressionist;Monet;Malerei;Licht;Öl Malerei;Aquarell, Art;Impressionism;Impressionist;Monet;Painting;Light;Oil painting;Watercolour, Art;Impressionnisme;Impressionniste;Monet;Peinture;Lumière;Huile;Aquarelle, Arte;Impressionismo;Impressionista;Monet;Pintura;Luminoso;Óleo;Acuarela, Kunst, Impressionism, Impressionist, Monet, Malerei, Licht, Öl Malerei, Aquarell , UK,GB,DE,ES,FR,IT,US,CA,MX,AU,NZ 20140510 English Art, Parkstone International<

2014, ISBN: 9781783103881

eBooks, eBook Download (EPUB), [PU: Confidential Concepts], Confidential Concepts, 2014